UdK
composition seminars in the winter semester 2010/11 Class: Prof. Walter Zimmermann
Alexandros Droseltis
Algorithmic Composition:
explicit and implicit compositional techniques with Xenakis and Stockhausen (stochastic music, applications of set theory, Markov processes, algorithms, theory, examples, composition, tasks)
Di.19.10. / 2.11. / 16.11. / 30.11. / 14.12. / / 11.1.11/25.1./8.2 . each 12-14 Clock, Bu-Allee 310
Torsten Reitz
Dresden School:
1) One has many of the species. Two compositions Jörg Herchet
2) To work the humility. About Music Christian Münch
3) A game with rules. Interaction in works by Michael Flade
4) directions. Idea of your own work
Di.26.10./9.11./23.11./7.12. each 12-14 Clock, Bu-Allee, Room 310
Makiko Nishikaze
room to listen
Music Theatre MM (2005) by M. Nishikaze
Di.4.1.2011 12-14 clock, Bu Avenue, Room 310
Manolis Vlitakis
Pierre Boulez Le Marteau sans maitre "
introduction + set I-III / IV set-VI / IX-SatzVII
1.18 .2011 / 1.2. / 15.2. each 12-14 Clock, Bu-Allee 310
Bibliography: Siegele, Ulrich (1979): Two Comments on "Marteau sans maitre" by Pierre Boulez
Name of Teacher: Stefan Bartling
title: Extended Helmholtz-Ellis Just Intonation
Tuesday from 26.10. 2:30 p.m. to 4:00 p.m. UdK Bundesallee 310
practical exercises in dealing with the "extended just intonation"
("Extended Helmholtz-Ellis Just Intonation")
practical exercises in dealing with the "extended just intonation"
("Extended Helmholtz-Ellis Just Intonation")
practical exercises in dealing with the "extended just intonation"
("Extended Helmholtz-Ellis Just Intonation")
A) "theory"
The theoretical background of the "extended just intonation" deepen.
(How many sounds are there?
How many signs there?
How can you vote scales?
How to evaluate intervals?
What are "fundamentals"?
What do octaves in the harmonic space?)
B) "eyes and ears"
notation and listening exercises on the computer.
operation developed by me
plugins for Sibelius6.app
C) "game"
acoustic background of Just Intonation
the example of frequency modulation.
D) "hands"
Instrumentation the perspective of just intonation
tablature develop for horn, trumpet, tuba.
calculate sound network for string instruments.
E) "discussion"
critical use of microtonal notation systems.
advantages, disadvantages
name of the teacher: Yoav Pasovsky
Title: Aural Analysis - Beethoven
This course deals with the symphonies of Beethoven and the development of his compositional thinking.
is placed on the analytical listening very much value: the recognition of formal structures and wider musical context is practiced.
The course is open to all students.
Tuesday 16.00 bis 18.00 clock
First date: 10/26/2010
UdK Bundesallee 1-12, Room 310
name of the teacher Christa Brüstle Daniel Ott
title: COMPOSITION / ANALYSIS & MUSICOLOGY: THE EXPERIMENTAL MUSIC IN THE THEATRE - Schnebel & CO.
Event Type: Analysis Conference / Seminar main
academic year 2010/2011
week: Thursday from 14 to 16 clock
: weekly
Room: 310 Bu
Start Date: 21/10/2010
End date: 07/17/2011
comment: Joint Seminar Musicology (Seminar) and composition (analysis). Compositional and musicological analysis of experimental music theater approaches in works by Dieter Schnebel (glossolalia, foot work, body language, sign language, Jowägerli, Mayakovsky's Death / Dance of Death, St. Jago, etc.) as well as in works by students and friends Dieter Schnebel, among others Czernowin, Chico Mello, Michael Hirsch, Sylvano Bussotti, Hans Wüthrich, Frederic Rzewski, Josef Anton Riedl including
name of the teacher: Tobias Müller-Kopp
title: Experimental Music 2, Practical Seminar: Group Management
Event Type Seminar
week by appointment
From ... to ... Clock: by appointment
House / Room: Fa 302
Start date: Thurs 14:10:10 preparatory meeting for 18 h in Fa 302
Comment:
In order to test experimental music in MUSIC GROUP MANAGEMENT (L6/MA1/PA) will approach compositions developed, discussed and tested in collaboration with the Droste-Hülshoff-Gymnasium in Zehlendorf or the Fichtelgebirge Elementary School in Kreuzberg.
name of the teacher: Caroline Scholz Ott
title: EXPERIMENTAL MUSIC THEATRE / COMPOSITION:
IMAGINATION - MOTION - VOICE
week: Tuesday
from 9 to 11 clock
: weekly
Room: Room 311 Fasanenstrasse
Start Date: 26/10/2010
End date: 15/02/2011
Combined physical and vocal training - as a basis for deciding encounter and confrontation on the stage. Respiratory make tangible, alive on intensive work of the body and the body of the other.
We train the body and acts to separate vocal and playful actions clearly to perform and to make these freed up in various combinations and variations of each other to Insert a sufficient unabhänggig.
We train our Wahrnehmng, strength, endurance and agility.
We train reproducibility of boastful and physical activity.
We train our imagination.
allocation to the Department of Music Theory, Musicology, Music & transfer
composition
name of the teacher: Julian Klein / Enrico Stolzenburg
Title of Event: Theatre Piece / For the birds
Event Art : project (Block Seminar)
week: block course over two weekends
From ... to ... Clock: 9 - 22
rhythm: two blocks of 30th / 31.10. and 6./7.11. in sows, a performance at 13.11. at the University of the Arts, Old TU-Mensa
House / Room: sows
Start date: 30.10.
end date: 13.11.
The project consists of two parts: (1) Develop a staged performance of "Theatre Piece" by John Cage and an additional plant depending on the composition of the participants (such as "Thirteen" or the "Variations") and (2) joint development of a separate piece
Bibliography: John Cage, For the birds (dt: For the Birds, Merve Verlag Berlin 1984)
John Cage, Silence (dt by Ernst Jandl, Suhrkamp Frankfurt aM 1987)
Note:
association with Institute: klangzeitort / Experimental Music Theatre
Audience: Interested interdisciplinary
Other links: http://www.julianklein.de
name of the teacher: Daniel Ott, Kirsten Reese, Iris ter Schiphorst
title: COMPOSITION: MAIN SUBJECT TEACHING
Event Type: Seminar (small group)
week: Thursday
of 18 to 20 clock
: weekly
Room: Bundesallee 1-12, R. 310
Start date: 28.10.2010
End date: 02/17/2011
Comment: major teaching MA1 for students with major subject composition / experimental music. Individual work on their own projects.
allocation to the Department of Music Theory, Musicology, Music Transfer &
composition
Grading: Regular attendance, oral presentation, own compositional projects
name of the teacher: Kirsten Reese
title: Electro-acoustic composition
Event type: Project Seminar
week: Monday
From ... to ... Clock: 12 - 14
rhythm (weekly, block) : weekly
House / Room: Studio TU, EN 324, Einstein Ufer 17
Arrival date: 25.10.
End date: 7.2.
Comment: this semester is about electro-acoustic composition for the stage, in connection with the student focus of the Institute for New Music Music - Moving Image - stage. " It will be presented and discussed stage works that combine electronic music with video, performers (musicians, dancers) on stage. Goal is to develop your own work of students.
Prerequisite: experience with sound recording or synthesis, audio editing and arranging in a software (like ProTools, Logic, Cubase).
a notification by email is essential!
Kirsten Reese, kirsten.reese @ gmx.net , http://www.kirstenreese.de
name of the teacher: Iris ter Schiphorst
title: Composition 2 / Experimental 8:
Aural Analysis of own and other works, focus, Music Theatre '(in the context of the term focus of the Institute for New Music " Expanded Music: Sound & , Video, Space & body )
.
week: Monday
from 18 to 21 clock:
rhythm: every 14 days
House / Room: Bundesallee 1-12, Room 310
start date: 18:10:10
End date: 7 2. 2010
Comment: the interplay of "Sound & Video, Space & body," including works by Michel van der Aa, Helmut Oehring, Heiner Goebbels
name of the teacher: Björn Speidel
title: EXPERIMENTAL MUSIC THEATRE / COMPOSITION 2: INTRODUCTION EXPERIMENTAL VIDEO DESIGN
Event Type: Seminar
week: Friday
From ... to ... Clock: 10:00 - 12:00
: weekly
House / Room: Fasanenstrasse 1B 214b
Start date: 23.04.10
End date: 16.07.10
comment: experimental video design
introduction to the video section for composers, actors and musicians.
The course provides technical and design basics of digital video editing with Final Cut Pro. The recovered (or imported) skills are applied to practical projects.
name of the teacher: Hartmut Fladt
title of the event : music theory, analysis and history of music theory (seminar in the main study) + Exam Colloquium
Fri 13:30-16 Clock Fasanenstrasse 1B 301
Fri 13:30-16 Clock Fasanenstrasse 1B 301
Name Teacher: Martin Supper
title of the event : Electroacoustic music versus sound art - Single View
proseminar
| Fri | 12:00 to 14:00 | weekly. | 10/22/2010 to 02/18/2011 |
Regular attendance, a lecture and a smaller paper (5-10 pages) or a comparable service in accordance with the lecturers. This is also depending on the study regulations.
name of the teacher: Martin Supper
title of the event : school of the hearing - Single View
; exercise
weekly Fri 14:00 to 18:00. 10/22/2010 to 02/18/2011 Fasanenstr. 1B -214
is practiced in the school of the hearing, to describe compositions mostly electro-acoustic music. All participants will first hear a work without knowing what it is. Connect will attempt to describe by means of their own "private language", which was heard. Is not meant to guess the work. Associative descriptions or the description of his own feelings at the hearing are not allowed. Nor should impose a studio technical description. In short, can a consensus be established with an individual description of an "abstract sounds", a silent music. After the discussions the same piece heard again. Experience shows that most will hear completely different. The school of the hearing will also result in no written text, without having to get scores, hear structurally. The idea for this seminar came from the most common question from students, in my musicological seminars, if you have a speaker for music listening: "what should I imagine for here."
be heard are the works of very different lengths, since, from 7 minutes to 110 minutes, the seminar is different for long.
be heard are the works of very different lengths, since, from 7 minutes to 110 minutes, the seminar is different for long.
name of the teacher: Manolis Vlitakis
title of the event : Surgical Instruments for composers and conductors
history - playing technique and repertoire - Acoustic
S / n. composer and conductor (guests welcome)
R. Bundesallee 310, Saturdays 11:00-14:00 clock, about every two weeks
beginning and schedule meeting: 30.10.2010
name of the teacher: Manolis Vlitakis
title of the event : Instrumentation for composers and conductors
technology - Analysis
S / n. composer and conductor (guests welcome)
R. Bundesallee 310, Friday 12:30-16:30 clock, about every two weeks
beginning and schedule meeting: 29.10.2010
Analysis Focus: Varèse
name of the teacher: Martin Bauer, Daniel Ott
title: COMPOSITION / NEW MUSIC THEATRE: SAMUEL BECKETT - WORDS AND MUSIC
Launch Event: Thursday 25 November 18:00 to 20:00 Bu 310
block course in sows: Thursday 3 February 7 to 18:00 Monday February 16:00
rhythm: Orientation meeting - Block Seminar
Room: Fa 301 (25 November) - Meeting sows (3rd-7th February)
Start Date : 11/25/2010
End date: 07/02/2011
comment: Block Seminar in sows with Martin Bauer (composer and theater practitioners from Buneos Aires) for participants from all faculties. Introduction to the experimental theater productions in the late works of Samuel Beckett with a special focus on working with Morton Feldman. In the center are invited to the practical production work, to which musicians, actors, actresses and forming artists that are SQUARE, BREATH and WORD AND MUSIC. Please register by e-mail to Andrew Goebel, tutor of the domain of experimental music theater, swunk@gmx.de
short comment: Block Seminar in sows with Martin Bauer (composer and theater practitioners from Buneos Aires) for participants from all faculties.
HfM - HANNS EISLER
name of the teacher: Wolfgang Heiniger
title of the event : Acoustics and psychoacoustics
- 1 semester, summer semester
introduction to musical acoustics, psychology of perception and psychoacoustics. The schedule for the classroom will be published at the beginning of the semester.
| Tues | 14:00 to 15:30 h | R. 264 Charlotte Street 55 Hanns Eisler | | e |
name of the teacher: Prof. Wolfgang Heiniger / Daniel Plewe
Title: Practical sound design and sound synthesis I
- 1 semester, in the winter semester
introduction to methods and techniques of digital sound processing and synthesis
| Tues | 14:00 to 15:30 h | R. 264 Charlotte Street 55 Hanns Eisler | |
name of the teacher: Daniel Plewe
Title: Sound computer science
or MAX / MSP? advanced. The example of Max / MSP vermitttelt knowledge of musical computer science, such as digital signal processing, algorithmic composition, and more. The contents are guided by the needs and interests of students
| Wed | 10:00 to 14:00 h | R. 264 Charlotte Street 55 Hanns Eisler |
name of the teacher: Wolfgang Heiniger, Daniel Plewe
Title: Practical Sound Design and sound synthesis II
- 1 semester, in the winter semester
practical introduction to working with electronic and computer music production.
| Tues | 12:00 to 14:00 h | R. 264 Charlotte Street 55 Hanns Eisler | | |
Name the teacher: Wolfgang Heiniger
Title: Composition in an interdisciplinary context - KiK
The department is divided into the following lectures, seminars and exercises:
KiK Seminar I dramaturgical models
analysis, reproduction and discussion of dramaturgical models by means of works of contemporary music (music) plays, films and inter-media art works.
KiK Seminar I dramaturgical models
analysis, reproduction and discussion of dramaturgical models by means of works of contemporary music (music) plays, films and inter-media art works.
| Tues | 16.00-18.00 h | R. 458 Charlotte Street 55 Hanns Eisler | | |
name of the teacher: Wolfgang Heiniger, Daniel Plewe
Title: KiK Seminar II models
technical analysis, discussion and practical introduction to the techniques and methods of electronic sound processing, synthesis and control. In particular, interactive controls are being tested that combine various media with each other (video, lighting, etc.)
knowledge of programming languages MAX / MSP are desired. Possibly. the simultaneous
visit an appropriate course is recommended (see above)
technical analysis, discussion and practical introduction to the techniques and methods of electronic sound processing, synthesis and control. In particular, interactive controls are being tested that combine various media with each other (video, lighting, etc.)
knowledge of programming languages MAX / MSP are desired. Possibly. the simultaneous
visit an appropriate course is recommended (see above)
| Tues | 6:00 p.m. to 20:00 h | R. 458 Charlotte Street 55 Hanns Eisler | | |
name of the teacher: Wolfgang Heiniger, Daniel Plewe
Title: KiK exercises - speaking dates, project work
Please do not make the start on the semester with Prof. Wolfgang Heiniger contact.
Please do not make the start on the semester with Prof. Wolfgang Heiniger contact.
| Wed / Thurs | aet | R. 264 Charlotte Street 55 Hanns Eisler |
name of the teacher: Eres wood
Title: Open Music
The open music Course will take place this semester on Wednesday every two weeks.
The open music Course will take place this semester on Wednesday every two weeks.
13:10 First session of 10h to 13h . (recording studio, 4th floor, Charlotte Strasse 55 Hanns Eisler )
The course is for beginners and requires no prior knowledge of Programming advance.
Bring your laptop (Mac) and who is not a Mac can use to borrow from the Macbook studio if necessary.
TU
name of the teacher: Ronald Kuivila
Title: Composition in the Arts (3135 L 303)
Day / Time: Tuesday 10-12
Clock Room: EN 324
Day / Time: Tuesday 10-12
Clock Room: EN 324
name of the teacher: Ronald Kuivila
Title: seminar in Live Electronics (0135 L 304 )
Day / Time: Monday 14-16
Clock Room: EN 324
Day / Time: Monday 14-16
Clock Room: EN 324
name of the teacher: Andre Bartetzki
Title: sound analysis and synthesis (0135 L 313)
Day / Time: Tuesday 12-16 Clock (irregular)
Room: EN 324
Day / Time: Tuesday 12-16 Clock (irregular)
Room: EN 324
name of the teacher: Volker Straebel
Title: http://www.ak.tu-berlin EN 324 :
from the game clock for iPod music storage media
from the game clock for iPod music storage media
(0135 L 350) day / time: Wednesday 10-12 Room Clock .de/menue/lehre/wintersemester_201011/von_der_spieluhr_zum_ipod /
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